Chrysoulla is a Sydney-based award-winning screen and theatre composer. She graduated with a Bachelor of Music (Honours)/Bachelor of Education from UNSW, receiving First Class Honours in Composition. She has worked with the Sydney theatre companies: Belvoir, Australian Theatre for Young People, New Ghosts Theatre Company, Aya Productions, Griffin Theatre Company, White Box Theatre, and Millstone Productions to compose the music for the stage productions: Jali (2021), Dead Skin (2021), My Brilliant Career (2020), Iphigenia In Splott (2020), Intersection 2019 - Arrival (2019), Yen (2018), Impending Everyone (2018), Moth (2017), Oedipus Doesn't Live Here Anymore (2017) and Fight With All Your Might The Zombies Of Tonight (2016). Short film credits include ARACOURT Studio’s Cnut (2020), Jean-David Le Goullon's Barnacle Face (2020) and Mohamed Mebarek's The Shot (2019). Chrysoulla’s music has been played in the Sydney Opera House, Art Gallery of NSW and Perth Concert Hall and has been acknowledged in several competitions including the ScoreLive Competition (2020 Runner-up), Glories of the Score Student Screen Music Competition (2018 Winner), and Artology Fanfare Competition (2016 Winner). She is currently collaborating on the short films - Mary (2021) by Miss The Mark Productions and What Will The Father Think by Alan Fang - and the theatre productions Lights In The Park (2021) by Australian Theatre for Young People and The Linden Solution (2021) by Ratcatch Theatre.